Doretta Morrow - Life and Career

Life and Career

Morrow was born as Doretta Marano in the Bensonhurst section of Brooklyn, New York in 1927. Popular singer Vic Damone was her cousin. At the age of 2 she moved with her family to Venice, Italy where she began studying piano and singing. At age she decided that she wanted to become a professional singer. In 1943 she and her family moved back to New York, and she entered New Utrecht High School. In New York she studied singing with soprano Alice Zeppilli.

After completing high school, Morrow was cast in the musical Shooting Star in 1945 which opened in Boston but never made it to New York. In 1946 she made her Broadway debut as Gretchen in the revival of Victor Herbert's The Red Mill, replacing Ann Andre early in the show's run. A hit with the public, she played the role for a total of 17 months. In October 1948 she created the role of Kitty Verdun in the original production of Where's Charley?; notably introducing the song "My Darling, My Darling" (duet with Byron Palmer). She remained with the production through its September 1950 closing.

Morrow made her television debut in 1949 on The Ed Sullivan Show. She appeared on that show several more times through 1958. She sang as a guest performer on several other variety programs during the 1950s, including Cavalcade of Stars, The Voice of Firestone, Paul Whiteman's Goodyear Revue, The Arthur Murray Party, The Steve Allen Show, and General Motors 50th Anniversary Show among others. For the Pulitzer Prize Playhouse show she filmed a 1950 television version of the Kurt Weill musical Knickerbocker Holiday in which she played Tina Tienhoven. She played Monique DuPont in a 1951 television version of the musical Miss Liberty for the Musical Comedy Time program, and performed the role of Polly Peachum in a 1952 television adaptation of The Beggar's Opera for CBS. She also starred in the television movies Once Upon an Eastertime (1954) and The Adventures of Marco Polo (1956). She made her last television appearance in a 1959 episode of The Further Adventures of Ellery Queen.

In March 1951 Morrow created the role of Tuptim in the original Broadway production of Rodgers and Hammerstein's The King and I, with Gertrude Lawrence and Yul Brynner. In the production she introduced the songs "I Have Dreamed" and "We Kiss in a Shadow"; both duets with Larry Douglas. She left the production in late 1951 to film her only Hollywood movie, Because You're Mine, in which she starred opposite Mario Lanza. In 1953 she returned to Broadway for the last time to create the role of Marsinah in the original cast of Kismet. She had previously appeared at the show's world premiere in Los Angeles with the Los Angeles Civic Light Opera (LACLO); a performance which notably introduced the song "Baubles, Bangles, & Beads" to the public. She also portrayed Marsinah in the original West End production of Kismet in 1955. In 1957 she portrayed the title role in the first national tour of the musical Fanny. Her final stage appearance was in 1959 in the original West End cast of Cole Porter's Aladdin in the role of The Princess. She retired from performance in 1960.

Morrow was married to Fred A. Miller, a cargo-airline executive. That marriage ended in divorce in 1955. Shortly after her withdrawal from the public eye, she married Albert Hardman, an Englishman who worked as an underwriter for Lloyd's of London. They had one child, a daughter born in 1965. Morrow died in London in 1968, aged 41, from cancer.

Read more about this topic:  Doretta Morrow

Famous quotes containing the words life and/or career:

    The happiest excitement in life is to be convinced that one is fighting for all one is worth on behalf of some clearly seen and deeply felt good, and against some greatly scorned evil.
    Ruth Benedict (1887–1948)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)