Themes And Plot Devices In The Films Of Alfred Hitchcock
Alfred Hitchcock's films show an interesting tendency towards recurring themes and devices, such that one can almost feel that he was in some way making the same movie, or at least telling the same story, over and over again throughout his life as a director.
Here are some of the themes that show up repeatedly in his films.
Read more about Themes And Plot Devices In The Films Of Alfred Hitchcock: Birds, Suspense, Audience As Voyeur, MacGuffin, The Ordinary Person, The Wrong Man or Wrong Woman, The Double, The Likeable Criminal, Aka The Charming Sociopath, Staircases, Food and Death, Trains, Transference of Guilt, Mothers, Brandy, Sexuality, Blonde Women, Silent Scenes, Number 13, Tennis, Falling From High Places, The Perfect Murder, Violence in A Theatre
Famous quotes containing the words themes, plot, devices, films and/or hitchcock:
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
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“The relationship between mother and professional has not been a partnership in which both work together on behalf of the child, in which the expert helps the mother achieve her own goals for her child. Instead, professionals often behave as if they alone are advocates for the child; as if they are the guardians of the childs needs; as if the mother left to her own devices will surely damage the child and only the professional can rescue him.”
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“If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. Theres nothing behind it.”
—Andy Warhol (c. 19281987)
“Drama is life with the dull bits cut out.”
—Alfred Hitchcock (18991980)