Silent Scenes
As a former silent film director, Hitchcock strongly preferred to convey narrative with images rather than dialogue. Hitchcock viewed film as a primarily visual medium in which the director's assemblage of images must convey the narrative. Examples of imagery over dialogue are in the lengthy sequence in Vertigo in which Scottie silently follows Madeleine, or the Albert Hall sequence in the 1956 version of The Man Who Knew Too Much.
Read more about this topic: Themes And Plot Devices In The Films Of Alfred Hitchcock
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