The Ordinary Person
Placing an ordinary person in extraordinary circumstances is a common element of Hitchcock's films. In The 39 Steps, the protagonist Richard Hannay is drawn into a web of espionage, after a female spy he meets in a theatre is killed in his apartment. In The Man Who Knew Too Much (1956), James Stewart plays an ordinary man from Indianapolis vacationing in Morocco when his son is kidnapped. In The Wrong Man, Manny Balestrero (Henry Fonda) is arrested for a crime he didn't commit. In Psycho, Janet Leigh plays an unremarkable secretary whose personal story is violently interrupted by a furious psychopath. Other clear examples are Strangers on a Train, I Confess, Vertigo, and North By Northwest. The focus on an ordinary character enables the audience to relate to the action in the movie.
Read more about this topic: Themes And Plot Devices In The Films Of Alfred Hitchcock
Famous quotes containing the words ordinary and/or person:
“Even in ordinary speech we call a person unreasonable whose outlook is narrow, who is conscious of one thing only at a time, and who is consequently the prey of his own caprice, whilst we describe a person as reasonable whose outlook is comprehensive, who is capable of looking at more than one side of a question and of grasping a number of details as parts of a whole.”
—G. Dawes Hicks (1862–1941)
“Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as “not black enough.” ...Our concept of black experience has been too narrow and constricting.”
—bell hooks (b. c. 1955)