The Likeable Criminal, Aka The Charming Sociopath
The villain in many of Hitchcock's films appears charming and refined rather than oafish and vulgar. Especially clear examples of this tendency are Godfrey Tearle in The 39 Steps, Paul Lukas in The Lady Vanishes, Claude Rains in Notorious, Barry Foster in Frenzy, Joseph Cotten in Shadow of a Doubt, Robert Walker in Strangers on a Train, Ray Milland in Dial M For Murder, William Devane in Family Plot, and James Mason in North by Northwest. Villains such as Thorwald (Rear Window) and Norman Bates (Psycho) are portrayed as emotionally vulnerable and sympathetic characters.
In Psycho, Marion Crane (Janet Leigh) steals from her employer and runs away to be with her boyfriend, thus making her a criminal for her theft, and immoral for having pre-marital sex. However, the filmgoers are sympathetic to her; she has just decided to return the money when she is then brutally murdered. In Marnie, the title character (Tippi Hedren) is a cunning serial thief.
Read more about this topic: Themes And Plot Devices In The Films Of Alfred Hitchcock
Famous quotes containing the words likeable, aka and/or charming:
“[Mark Twain] is still the rough, awkward, good-natured boy who swore at the deck hands when he was three years old. Thoroughly likeable as a good fellow, but impossible as a man of letters.”
—Willa Cather (1873–1947)
“Before me you are a slug in the sun. You are privy to a great becoming and you recognize nothing. You are an ant in the afterbirth. It is in your nature to do one thing correctly: tremble.”
—Michael Mann, U.S. screenwriter. Frances Dollarhyde, aka “The Tooth Fairy” (Tom Noonan)
“The charming landscape which I saw this morning is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is property in the horizon which no man has but he whose eye can integrate all parts, that is, the poet. This is the best part of these men’s farms, yet to this their warranty-deeds give no title.”
—Ralph Waldo Emerson (1803–1882)