Native American music is the music that is used, created or performed by Native North Americans, specifically traditional tribal music. In addition to the traditional music of the Native American groups, there now exist pan-tribal and inter-tribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music and reggae, as well as unique popular styles like waila ("chicken scratch").
| Indigenous music of North America: Topics |
|
|---|---|
| Native American/First Nations | |
| Chicken scratch | Ghost Dance |
| Hip hop | Native American flute |
| Peyote song | Pow wow |
| Tribal music articles | |
| Arapaho | Blackfoot |
| Dene | Innu |
| Inuit | Iroquois |
| Kiowa | Kwakwaka'wakw |
| Navajo | Pueblo (Hopi, Zuni) |
| Seminole | Sioux (Lakota, Dakota) |
| Yaqui music | Yuman |
| Related topics | |
| Music of the United States - Music of Canada | |
Read more about Native American Music: Characteristics, Societal Role, History, Music Areas, Academic Study, Pan-tribalism, Samples
Famous quotes containing the words native american, native, american and/or music:
“There can be no more ancient and traditional American value than ignorance. English-only speakers brought it with them to this country three centuries ago, and they quickly imposed it on the Africans—who were not allowed to learn to read and write—and on the Native Americans, who were simply not allowed.”
—Barbara Ehrenreich (b. 1941)
“For most visitors to Manhattan, both foreign and domestic, New York is the Shrine of the Good Time. “I don’t see how you stand it,” they often say to the native New Yorker who has been sitting up past his bedtime for a week in an attempt to tire his guest out. “It’s all right for a week or so, but give me the little old home town when it comes to living.” And, under his breath, the New Yorker endorses the transfer and wonders himself how he stands it.”
—Robert Benchley (1889–1945)
“The Americans are violently oral.... That’s why in America the mother is all-important and the father has no position at all—isn’t respected in the least. Even the American passion for laxatives can be explained as an oral manifestation. They want to get rid of any unpleasantness taken in through the mouth.”
—W.H. (Wystan Hugh)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)