History
Both Lexington Avenue and Irving Place began in 1832 when Samuel Ruggles, a lawyer and real-estate developer, petitioned the New York State Legislature to approve the creation of a new north/south avenue between the existing Third and Fourth Avenues, between 14th and 30th Streets. Ruggles had purchased land in the area, and was developing it as a planned community of townhouses around a private park, which he called Gramercy Park. He was also developing property around the planned Union Square, and wanted the new road to improve the value of these tracts. The legislation approved, and, as the owner of most of the land along the route of the new street, Ruggles was assessed for the majority of its cost. Ruggles named the southern section, below 20th Street, which opened in 1833, after his friend Washington Irving. The northern section, which opened three years later, in 1836, was named after the Battle of Lexington in the Revolutionary War.
In 1899, Lexington would see the first arrest in New York for speeding, when a bicycle patrolman overtook cabdriver Jacob German, who had been racing down the avenue at the "reckless" speed of 12 mph (19 km/h). The portion of Lexington Avenue above East 42nd Street was reconstructed at the same time as the IRT Lexington Avenue Line of the New York City Subway. The widened street and the subway line both opened on July 17, 1918.
Parallel to Lexington Avenue lies Park Avenue to its west and Third Avenue to its east. The avenue is largely commercial at ground level, with offices above. There are clusters of hotels in the 30s and 40s, roughly from the avenue's intersection with 30th Street through to its intersection with 49th Street, and apartment buildings farther north.
Lexington Avenue has carried one-way (downtown) traffic since July 17, 1960.
The July 18, 2007 New York City steam explosion sent a geyser of hot steam up from beneath the avenue at 41st Street resulting in one death and more than 40 injuries.
Read more about this topic: Lexington Avenue
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—Karl Marx (18181883)
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—Adrienne Rich (b. 1929)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)