Works
- Go Tell It on the Mountain (semi-autobiographical novel; 1953)
- The Amen Corner (play; 1954)
- Notes of a Native Son (essays; 1955)
- Giovanni's Room (novel; 1956)
- Nobody Knows My Name: More Notes of a Native Son (essays; 1961)
- Another Country (novel; 1962)
- A Talk to Teachers (essay; 1963)
- The Fire Next Time (essays; 1963)
- Blues for Mister Charlie (play; 1964)
- Going to Meet the Man (stories; 1965)
- Tell Me How Long the Train's Been Gone (novel; 1968)
- No Name in the Street (essays; 1972)
- If Beale Street Could Talk (novel; 1974)
- The Devil Finds Work (essays; 1976)
- Just Above My Head (novel; 1979)
- Jimmy's Blues (poems; 1983)
- The Evidence of Things Not Seen (essays; 1985)
- The Price of the Ticket (essays; 1985)
- Harlem Quartet (novel; 1987)
- The Cross of Redemption: Uncollected Writings (essays; 2010)
Together with others:
- Nothing Personal (with Richard Avedon, photography) (1964)
- A Rap on Race (with Margaret Mead) (1971)
- One Day When I Was Lost (orig.: A. Haley; 1972)
- A Dialogue (with Nikki Giovanni) (1973)
- Little Man Little Man: A Story of Childhood (with Yoran Cazac, 1976)
- Native Sons (with Sol Stein, 2004)
Read more about this topic: James Baldwin
Famous quotes containing the word works:
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (19101986)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (18171862)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (18991977)