Works
Herbert Stothart is credited as the composer of:
- Devil-May-Care (1929)
- Rasputin and the Empress (1932)
- The Barretts of Wimpole Street (1934)
- What Every Woman Knows (1934)
- Anna Karenina (1935)
- China Seas (1935)
- David Copperfield (1935 version)
- Mutiny on the Bounty (1935)
- Naughty Marietta (musical score only; the songs were by Victor Herbert, Rida Johnson Young, and Gus Kahn) (1935)
- A Night at the Opera (1935, which also used music by Giuseppe Verdi, Ruggero Leoncavallo, and Nacio Herb Brown, with some lyrics by Arthur Freed)
- A Tale of Two Cities
- After the Thin Man (1936)
- The Good Earth (1937)
- Idiot's Delight (1939)
- The Wizard of Oz (Oscar: Best Original Score; songs by E.Y. Harburg and Harold Arlen)
- Northwest Passage (1940 film by King Vidor)
- Pride and Prejudice (1940 version)
- Blossoms in the Dust (1941)
- Mrs. Miniver (1942)
- Madame Curie (1943)
- National Velvet (1944)
- Thirty Seconds Over Tokyo (1944)
- Dragon Seed (1944)
- The White Cliffs of Dover (1944)
- The Picture of Dorian Gray (1945)
- They Were Expendable (1945 World War II film by John Ford) (1945)
- The Green Years (1946)
- The Yearling (arrangement of Frederick Delius's music) (1946)
- The Sea of Grass (1947)
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Famous quotes containing the word works:
“The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.”
—G.C. (Georg Christoph)
“In saying what is obvious, never choose cunning. Yelling works better.”
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“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (19211988)
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