Guatemalan Literature - Twentieth Century

Twentieth Century

In the 20th century, Guatemalan literature reached a level comparable to that of other Latin American countries. The most important Guatemalan writers in this period are novelist Miguel Ángel Asturias (1967 Nobel Prize winner and author of novels including El Señor Presidente and Hombres de Maíz), poet Luis Cardoza y Aragón, short story writer and novelist Augusto Monterroso (2000 Príncipe de Asturias prize winner), and playwright Carlos Solórzano. In general, 20th-century Guatemalan literature is strongly influenced by politics, as evidenced by the fact that its authors were forced into exile during Guatemala's successive dictatorships and civil wars.

20th-century Guatemalan literature is usually divided by generation or decade:

  • The generation of 1910 or "the Comet"
  • The generation of 1920
  • The generation of 1930 or "Grupo Tepeus"
  • The generation of 1940 or "Grupo Acento"]
  • The Grupo Saker-ti (1944–1954)
  • The generation "comprometida" (after 1954)
North American literature
Sovereign states
  • Antigua and Barbuda
  • Bahamas
  • Barbados
  • Belize
  • Canada
  • Costa Rica
  • Cuba
  • Dominica
  • Dominican Republic
  • El Salvador
  • Grenada
  • Guatemala
  • Haiti
  • Honduras
  • Jamaica
  • Mexico
  • Nicaragua
  • Panama
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Vincent and the Grenadines
  • Trinidad and Tobago
  • United States
Dependencies and
other territories
  • Anguilla
  • Aruba
  • Bermuda
  • Bonaire
  • British Virgin Islands
  • Cayman Islands
  • Curaçao
  • Greenland
  • Guadeloupe
  • Martinique
  • Montserrat
  • Puerto Rico
  • Saint Barthélemy
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saba
  • Sint Eustatius
  • Sint Maarten
  • Turks and Caicos Islands
  • United States Virgin Islands

Read more about this topic:  Guatemalan Literature

Famous quotes related to twentieth century:

    “Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
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    “One of the peculiar sins of the twentieth century which we’ve developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.”
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    “The descendants of Holy Roman Empire monarchies became feeble-minded in the twentieth century, and after World War I had been done in by the democracies; some were kept on to entertain the tourists, like the one they have in England.”
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    “... the nineteenth century believed in science but the twentieth century does not. Not.”
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