Heart-Shaped Box - Origin and Recording

Origin and Recording

Kurt Cobain wrote "Heart-Shaped Box" in early 1992. Cobain forgot about the song for a while, but began working on it again when he and his wife Courtney Love moved to a house in the Hollywood Hills. In a 1994 Rolling Stone interview, Love said she overheard him working on the song's riff in a closet. She said she asked him if she could use the riff for one of her songs, to which he replied, "Fuck off!" and closed the closet door. "He was trying to be so sneaky", said Love. "I could hear that one from downstairs." The couple shared a journal in which they would write lyrics; Cobain biographer Charles R. Cross noted that Love's songwriting sensibility informed Cobain's on the song. The song's name came from a heart-shaped box Love had given Cobain. However, Cobain had originally titled the song "Heart-Shaped Coffin".

Nirvana had difficulty completing the song. Cobain attempted to have the rest of the band complete the song during jam sessions. He said, "During those practices, I was trying to wait for Krist and Dave to come up with something but it just turned into noise all the time." One day Cobain made one last attempt at completing the song. Cobain was able to come up with a vocal melody and the band finally finished writing the song. Cobain said that when they completed "Heart-Shaped Box", "We finally realized that it was a good song."

In January 1993, the band recorded a demo of "Heart-Shaped Box" during sessions with Craig Montgomery in Rio de Janeiro, Brazil; it was the first song recorded. The In Utero version was recorded in February 1993 by Steve Albini in Cannon Falls, Minnesota. Prior to the album's release, the track was remixed by Scott Litt. Cobain was unapologetic about the band's decision to remix it, and maintained that the vocals and bass were not prominent enough in the original mixes. Nirvana bassist Krist Novoselic was also unhappy with the original mix of "Heart-Shaped Box". In a 1993 Chicago Sun-Times interview, he said the original effect used on the song's guitar solo sounded "like a fucking abortion hitting the floor." When the song was remixed by Scott Litt, Cobain took the opportunity to add acoustic guitar and backing harmonies.

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