Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses").
The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within "the arts", music may be classified as a performing art, a fine art, and auditory art. It may also be divided among "art music" and "folk music". There is also a strong connection between music and mathematics. Music may be played and heard live, may be part of a dramatic work or film, or may be recorded.
To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound." Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be."
Read more about Music: Performance, Production, Cognition, Sociology, Media and Technology, Business, Music Therapy
Other articles related to "music":
... Culture of Libya Further information Music of Libya and Libyan literature Libya is culturally similar to its neighboring Maghrebian states ... still alive and well, with troupes performing music and dance at frequent festivals, both in Libya and abroad ... TV stations air various styles of traditional Libyan music ...
... Composer Joseph LoDuca wrote the theme music and incidental music, and co-wrote the lyrics for the songs in "The Bitter Suite" ... The theme music was developed from the traditional Bulgarian folk song "Kaval sviri", sung by the Bulgarian State Television Female Vocal Choir ... who won the Emmy award for Outstanding Music Composition for a Series (Dramatic Underscore) for the Season 5 episode Fallen Angel in 2000 ...
... Nairobi is the centre of the Kenyan music scene ... The genre is a fusion of jazz and Luo music forms. 1970s, Nairobi became the prominent centre for East and Central African music ...
... Music therapy is an interpersonal process in which the therapist uses music and all of its facets—physical, emotional, mental, social, aesthetic ... client's needs are addressed directly through music in others they are addressed through the relationships that develop between the client and therapist ... Music therapy is used with individuals of all ages and with a variety of conditions, including psychiatric disorders, medical problems, physical handicaps, sensory ...
... largely replaced the double bass in popular music as the bass instrument in the rhythm section ... While the types of basslines performed by the bassist vary widely from one style of music to another, the bassist fulfills a similar role in most types of music anchoring the harmonic framework and laying down the ... The bass guitar is used in many styles of music including rock, metal, pop, punk rock, country, reggae, gospel, blues, and jazz ...
Famous quotes containing the word music:
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)
“The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.”
—Thomas Moore (1779–1852)