"With or Without You" is a song by Irish rock band U2. It is the third track from their 1987 album, The Joshua Tree, and was released as the album's first single on 21 March 1987. The song was the group's most successful single at the time, becoming their first number-one hit in both the United States and Canada by topping the Billboard Hot 100 for three weeks and the RPM national singles chart for one week.
"With or Without You" features sustained guitar parts played by guitarist The Edge with a prototype of the Infinite Guitar, along with vocals by lead singer Bono and a bassline by bassist Adam Clayton. The song originated from a demo recorded in late 1985 that the group continued to work on throughout The Joshua Tree sessions. Ostensibly a troubled love song, the track's lyrics were inspired by Bono's conflicting feelings about the lives he led as a musician and domestic man.
Critics praised the song upon its release. It is frequently performed on the band's tours, and it has appeared on a number of their compilation albums and concert films. "With or Without You" is U2's second most frequently covered song. In 2010, Rolling Stone magazine placed the song at number 132 on their list of "The 500 Greatest Songs of All Time".
Read more about With Or Without You: Writing and Recording, Composition, Release and Chart Performance, Live Performances, Reception, Legacy, Track Listing, Chart Positions
Famous quotes containing the words with, without and/or you:
“Actually being married seemed so crowded with unspoken rules and odd secrets and unfathomable responsibilities that it had no more occurred to her to imagine being married herself than it had to imagine driving a motorcycle or having a job. She had, however, thought about being a bride, which had more to do with being the center of attention and looking inexplicably, temporarily beautiful than it did with sharing a double bed with someone with hairy legs and a drawer full of boxer shorts.”
—Anna Quindlen (b. 1952)
“You are not satisfied unless form is so strictly divorced from content that you can comprehend the one without almost without bothering to read the other.”
—Samuel Beckett (1906–1989)
“The door is opening. A man you have never seen enters the room.
He tells you that it is time to go, but that you may stay,
If you wish. You reply that it is one and the same to you.
It was only later, after the house had materialized elsewhere,
That you remembered you forgot to ask him what form the change would take.”
—John Ashbery (b. 1927)