Composition
"With or Without You" is written in a 4/4 time signature and is played at a tempo of 110 beats per minute. Although certain stanzas of lyrics are repeated, the song does not follow a traditional verse-chorus form. Lanois says of it, "It has tension and builds like one of those great Roy Orbison songs, where every section is unique and never repeats. I like that kind of sophistication ."
The song begins with a minimal drum beat by Mullen playing eighth notes, while a backing track—Eno's synthesiser—plays a "rippling" triplet arpeggio of the chord D major. A high sustained guitar part (played by The Edge's Infinite Guitar) enters, played "dry" in the left channel before reverberating on the right. At 0:09, Clayton's bass guitar begins to play eighth notes in time with the kick drum, and the song's four-bar sequence of the chord progression D–A–Bm–G, begins. This chord progression is never explicitly played but is "implied" by the root notes played by Clayton and the guitar parts of The Edge.
"Notes actually do mean something. They have power. I think of notes as being expensive. You don't just throw them around. I find the ones that do the best job and that's what I use. I suppose I'm a minimalist instinctively. I don't like to be inefficient if I can get away with it. Like on the end of 'With or Without You'. My instinct was to go with something very simple . I still think it's sort of brave, because the end of "With or Without You" could have been so much bigger, so much more of a climax, but there's this power to it which I think is even more potent because it's held back."
—The Edge, on the song's concluding guitar figureBono's vocals enter at 0:28, and they are in a lower register than most of his past vocals. He stays below the middle C for the first two and a half stanzas, centering his melody on the mediant F♯. At the end of each of the first two stanzas, his vocals drop an octave, from A to A. Author Susan Fast called Bono's vocals on "With or Without You" the first occasion on which he "extended his vocal range downward in an appreciable way". At 0:58, an additional sustained guitar part joins the mix. The drums increase in intensity at 1:45, before The Edge begins playing the song's signature guitar riff at 1:53. The riff, a perfect fifth opening to a sixth, features a prominent use of delay. When the riff is played, it is answered by Bono singing "And you give yourself away", a line on which backing vocals appear at 2:06 and 2:32.
A stanza begins in which Bono sings the song's title in a high, passionate voice as the drums get heavier. At 3:03, the song bursts out in emotion as Bono begins open-throated "Oh-oh-oh-ohh" vocals, which are double-tracked, and the rhythm increases to play sixteenth notes on the guitar, cymbals, and tambourine. After another stanza of Bono repeating the song's title, the music dies down at 3:38 to a similar state as it was at the beginning of the song. Ten seconds later, Bono sings in a falsetto while a bass synthesiser doubles the bass guitar. After the vocals complete, The Edge begins a simple guitar figure. He explained that its understated nature was meant to oppose the temptation to play an intricate guitar solo as an ending. The second time the figure is played, the signature guitar riff from earlier re-appears and the song regains some of its intensity. The song concludes with a fade-out.
The lyrics ostensibly describe a troubled relationship between two lovers, although the lyrics have been interpreted in religious contexts. The Washington Post interpreted the song as both an acerbic love song and a tune lamenting the moral contradictions one faces with their religious faith. Toby Creswell echoed these sentiments, saying it "can be read as a song about either marital romance or spiritual need". Bono explained that the lyrics had romantic intentions, saying, "there's nothing more revolutionary than two people loving each other. One, 'cause it's so uncommon these days, and two, 'cause it's so difficult to do." In 1987, Bono explained that "And you give yourself away" lyric refers to how he sometimes feels exposed being in U2, and that his openness, both to the public and music press, can do damage to the group. Author Niall Stokes interpreted the line as encompassing the theme of "surrendering the ego" to one's love and spiritual faith.
According to Bono, the song was heavily influenced by Scott Walker's album Climate of Hunter.
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