In Jazz and Rock
Flutes were rarely used in early jazz. Drummer and bandleader Chick Webb was among the first to use flutes in jazz, beginning in the late 1930s. Frank Wess was among the first noteworthy flautists in jazz, in the 1940s. Since Boehm's fingering is used in saxophones as well as in concert flutes, many flute players "double" on saxophone for jazz and small ensembles and vice versa.
Since 1950, a number of notable performers have used flutes in jazz. Frank Foster and Frank Wess (Basie band), Jerome Richardson (Jones/Lewis big band) and Lew Tabackin (Akiyoshi/Tabackin big band) used flutes in big band contexts. In small band contexts notable performers included Bud Shank, Herbie Mann, Rahsaan Roland Kirk, Charles Lloyd, Hubert Laws and Moe Koffman. Several modal jazz and avant-garde jazz performers have utilized the flute: Eric Dolphy, Sam Rivers and James Spaulding.
Jethro Tull is probably the best-known rock group to make regular use of the flute (played by Ian Anderson). The flute has a cameo role on You've Got to Hide Your Love Away by The Beatles (played by John Scott) and Supper's Ready by Genesis (Peter Gabriel).
Other groups that have used the flute in their pop/rock songs include the The Moody Blues, Australian group Men At Work, the Canadian Prog-Rock group Harmonium, and the British groups Traffic and Van der Graaf Generator.
Read more about this topic: Western Concert Flute
Famous quotes containing the words jazz and/or rock:
“There’s more bad music in jazz than any other form. Maybe that’s because the audience doesn’t really know what’s happening.”
—Pat Metheny (b. 1954)
“The acorn’s not yet
Fallen from the tree
That’s to grow the wood,
That’s to make the cradle,
That’s to rock the bairn,
That’s to grow a man,
That’s to lay me.”
—Unknown. The Cauld Lad of Hilton or, The Wandering Spectre (l. 2–8)