In Jazz and Rock
Flutes were rarely used in early jazz. Drummer and bandleader Chick Webb was among the first to use flutes in jazz, beginning in the late 1930s. Frank Wess was among the first noteworthy flautists in jazz, in the 1940s. Since Boehm's fingering is used in saxophones as well as in concert flutes, many flute players "double" on saxophone for jazz and small ensembles and vice versa.
Since 1950, a number of notable performers have used flutes in jazz. Frank Foster and Frank Wess (Basie band), Jerome Richardson (Jones/Lewis big band) and Lew Tabackin (Akiyoshi/Tabackin big band) used flutes in big band contexts. In small band contexts notable performers included Bud Shank, Herbie Mann, Rahsaan Roland Kirk, Charles Lloyd, Hubert Laws and Moe Koffman. Several modal jazz and avant-garde jazz performers have utilized the flute: Eric Dolphy, Sam Rivers and James Spaulding.
Jethro Tull is probably the best-known rock group to make regular use of the flute (played by Ian Anderson). The flute has a cameo role on You've Got to Hide Your Love Away by The Beatles (played by John Scott) and Supper's Ready by Genesis (Peter Gabriel).
Other groups that have used the flute in their pop/rock songs include the The Moody Blues, Australian group Men At Work, the Canadian Prog-Rock group Harmonium, and the British groups Traffic and Van der Graaf Generator.
Read more about this topic: Western Concert Flute
Famous quotes containing the words jazz and/or rock:
“Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children’s party taken over by the elders.”
—F. Scott Fitzgerald (1896–1940)
“So there he is at last. Man on the moon. The poor magnificent bungler! He can’t even get to the office without undergoing the agonies of the damned, but give him a little metal, a few chemicals, some wire and twenty or thirty billion dollars and, vroom! there he is, up on a rock a quarter of a million miles up in the sky.”
—Russell Baker (b. 1925)