Construction and Materials
Concert flutes have three parts: the headjoint, the body, and the foot joint. The headjoint is sealed by a cork (or plug). It is possible to make fine adjustments to tuning by adjusting the headjoint cork, but usually it is left in the factory-recommended position around 17.3 mm from the centre of the embouchure hole for best scale. Gross, temporary adjustments of pitch are made by moving the headjoint in and out of the headjoint tenon. The player makes fine or rapid adjustments of pitch and timbre by adjusting the embouchure, and/or adjusting the position of the flute in relation to the player, i.e., side and out.
Often, a different head can make the flute play like a different flute. Some flute makers sell both end blown heads and transverse heads that can be interchanged. The same flute body can be used as a whistle/recorder style instrument, or as a transverse flute.
Read more about this topic: Western Concert Flute
Famous quotes containing the words construction and/or materials:
“There is, I think, no point in the philosophy of progressive education which is sounder than its emphasis upon the importance of the participation of the learner in the formation of the purposes which direct his activities in the learning process, just as there is no defect in traditional education greater than its failure to secure the active cooperation of the pupil in construction of the purposes involved in his studying.”
—John Dewey (1859–1952)
“Kicking his mother until she let go of his soul
Has given his a healthy appetite: clearly, her role
In the New Order must be
To supply and deliver his raw materials free;”
—W.H. (Wystan Hugh)