Pedagogy and Theory of Child Development
The structure of the education follows Steiner's theories of child development, which describe three major developmental stages of childhood, each having its own learning requirements, as well as a number of sub-stages. These stages are broadly similar to those described by Piaget.
- In early childhood learning is largely experiential, imitative and sensory-based. The education emphasizes learning through practical activities.
- During the elementary school years (age 7–14), learning is artistic and imaginative, and is guided and stimulated by the creative authority of teachers. In these years, the approach emphasizes developing children's emotional life and artistic expression across a wide variety of performing and visual arts.
- During adolescence (age 14-19), the emphasis is on developing intellectual understanding and ethical ideals such as social responsibility to meet the developing capacity for abstract thought and conceptual judgment
Waldorf education realizes an unusually and perhaps uniquely "complete articulation of an evolutionary developmental K-12 curriculum and creative teaching methodology." its underlying principles continue a pedagogical tradition initiated by Comenius, Pestalozzi, and Herder Its methodology encourages collaborative learning.
Read more about this topic: Waldorf Education
Famous quotes containing the words theory, child and/or development:
“The theory seems to be that so long as a man is a failure he is one of God’s chillun, but that as soon as he has any luck he owes it to the Devil.”
—H.L. (Henry Lewis)
“We must remember when we speak of the “negativism” of the toddler that this is also the child who is intoxicated with the discoveries of the second year, a joyful child who is firmly bound to his parents and his new-found world through ties of love. The so-called negativism is one of the aspects of this development, but under ordinary circumstances it does not become anarchy. It’s a kind of declaration of independence, but there is no intention to unseat the government.”
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“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)