Style
Since the mid-1970s, Rothenberg has been widely recognized as one of the most innovative and independent artists of the contemporary period. (In 2010, David Belcher in the New York Times said comparisons between the painter and Georgia O'Keeffe had "become hard to avoid.") From her early years in SoHo through her move to New Mexico's desert landscape, Rothenberg has remained as influenced and challenged by her physical surroundings as she is by artistic issues and her own personal experiences. In addition to her earliest horse paintings, Rothenberg has taken on numerous forms as subject matter. These include dancing figures, heads and bodies, animals, and atmospheric landscapes. Rothenberg's visceral canvases have continued to evolve, as she explores the boundary between figural representation and abstraction; her work also examines the role of color and light, and the translation of her personal experience to a painterly surface. Rothenberg’s first solo exhibition in New York in 1975, consisting of three large-scale paintings of horses, was heralded for introducing imagery into minimalist abstraction, while bringing a new sensitivity to figuration. The critic Peter Schjeldahl called the show “a eureka,” stating that “the large format of the pictures was a gesture of ambition,” and that “the mere reference to something really existing was astonishing.”
Read more about this topic: Susan Rothenberg
Famous quotes containing the word style:
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)