Critical Response
Stolen Kisses was well-reviewed by critics all over the world. In an enthusiastic article from the New York Times (March 4, 1969) Vincent Canby comments:
- With what can only be described as cinematic grace, Truffaut's point of view slips in and out of Antoine so that something that on the surface looks like a conventional movie eventually becomes as fully and carefully populated as a Balzac novel. There is not a silly or superfluous incident, character, or camera angle in the movie. Truffaut is the star of the film, always in control, whether the movie is ranging into the area of slapstick, lyrical romance or touching lightly on DeGaulle's France (a student demonstration on the TV screen). His love of old movies is reflected in plot devices (overheard conversations), incidental action (two children walking out of the shoe store wearing Laurel and Hardy masks), and in the score, which takes Charles Trenet's 1943 song, known here as "I Wish You Love," and turns it into a joyous motif.
Read more about this topic: Stolen Kisses
Famous quotes containing the words critical and/or response:
“I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)
“It’s given new meaning to me of the scientific term black hole.”
—Don Logan, U.S. businessman, president and chief executive of Time Inc. His response when asked how much his company had spent in the last year to develop Pathfinder, Time Inc.’S site on the World Wide Web. Quoted in New York Times, p. D7 (November 13, 1995)