Career
Tucker played piano and sang burlesque and vaudeville tunes, at first in blackface. She later said that this was at the insistence of theatre managers, who said she was "too fat and ugly" to be accepted by an audience in any other context. She even sang songs that acknowledged her weight, such as "Nobody Loves a Fat Girl, But Oh How a Fat Girl Can Love".
She made a name for herself in a style that was known at the time as a "Coon Shouter", performing African American influenced songs. Not content with performing in the simple minstrel traditions, Tucker hired some of the best African American singers of the time to give her lessons, and hired African American composers to write songs for her act.
Tucker made her first appearance in the Ziegfeld Follies in 1909, but did not last long there because Florenz Ziegfeld's other female stars soon refused to share the spotlight with the popular Tucker.
William Morris, the founder of the William Morris Agency booked Tucker fresh off her Follies debut at his new American Music Hall. At a 1909 appearance, the luggage containing Tucker's makeup kit was stolen shortly before the show, and she hastily went on stage without her customary blackface. Tucker was a bigger hit without her makeup than with it, and, at the advice of Morris, she never wore blackface again. She did, however, continue to draw much of her material from African American writers as well as African American culture, singing in a ragtime- and blues-influenced style, becoming known for a time as "The Mary Garden of Ragtime", a reference to a famous operatic soprano of the era.
Read more about this topic: Sophie Tucker
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