Films and Plays
Shoeless Joe has been depicted in a few films in the late 20th century. Eight Men Out, a film directed by John Sayles, based on the Eliot Asinof book of the same name, details the Black Sox scandal in general and has D. B. Sweeney portraying Jackson.
The Phil Alden Robinson film Field of Dreams, based on Shoeless Joe by W. P. Kinsella, stars Ray Liotta as Jackson. Kevin Costner plays an Iowa farmer who hears a mysterious voice instructing him to build a baseball field on his farm so Shoeless Joe can play baseball again. (Liotta portrays Jackson as batting right-handed and throwing left-handed, although Jackson actually batted left and threw right.)
Jackson's nickname was worked into the musical play Damn Yankees. The lead character, baseball phenomenon Joe Hardy, alleged to be from a small town in Missouri, is dubbed by the media as "Shoeless Joe from Hannibal, MO." The play also contains a plot element alleging that Joe had thrown baseball games in his earlier days.
Jackson was also an inspiration, in part, for the character Roy Hobbs in The Natural. Hobbs has a special name for his bat (as Jackson did), and is offered a bribe to throw a game. In the book (but not the film), a youngster pleads with Hobbs, "Say it ain't true, Roy!"
Shoeless Joe is a character in the song "Kenesaw Mountain Landis", by Jonathan Coulton, although the song takes many liberties with the story for comedic effect.
Read more about this topic: Shoeless Joe Jackson
Famous quotes containing the words films and/or plays:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“We are all patchwork, and so shapeless and diverse in composition that each bit, each moment, plays its own game.”
—Michel de Montaigne (1533–1592)