Shaped Canvas

Shaped Canvas

Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. Alternatively, canvases may be altered by losing their flatness and assuming a three dimensional surface. Or, they can do both. That is, they can assume shapes other than rectangles, and also have surface features that are three dimensional. Arguably, changing the surface configuration of the painting transforms it into a sculpture. But shaped canvases are generally considered paintings.

Apart from any aesthetic considerations, there are technical matters, having to do with the very nature of canvas as a material, that tend to support the flat rectangle as the norm for paintings on canvas. (See Departing from the rectangular below.)

In the literature of art history and criticism, the term shaped canvas is particularly associated with certain works created mostly in New York after about 1960, during a period when a great variety and quantity of such works were produced. According to the commentary at a Rutgers University exhibition site, "... the first significant art historical attention paid to shaped canvases occurred in the 1960s...."

Read more about Shaped Canvas:  Pioneers of Modern Shaped-canvas Painting, Postwar Modern Art and The Shaped Canvas, More Recent Shaped Canvas Art, Departing From The Rectangular

Famous quotes containing the words shaped and/or canvas:

    “The family circle has widened. The worldpool of information fathered by the electric media—movies, Telstar, flight—far surpasses any possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world’s a sage.”
    —Marshall McLuhan (1911–1980)

    “The past is only so heroic as we see it. It is the canvas on which our idea of heroism is painted, and so, in one sense, the dim prospectus of our future field.”
    —Henry David Thoreau (1817–1862)