Fiction
San Angeles was first conceived as a setting for the 1982 movie Blade Runner in an early script. Ten years later, the 1993 script for the 1994 movie Double Dragon, post-earthquake California merged Los Angeles and San Diego into one megalopolis called San Angeles, half of which was under water. At about the same time, the San Angeles concept city also was used in the 1993 movie Demolition Man, where the earthquake-destroyed Los Angeles of 2010 was replaced by the city San Angeles that stretched from San Diego to Santa Barbara. The Demolition Man/San Angeles, a modified Irvine, California set in the year 2032, maintained a police force called "SaPD" (for San Angeles Police Department), which used black and white, gull-winged cars having SaPD emblazoned on them. The 1993 Demolition Man movie also set the fictional Arnold Schwarzenegger Presidential Museum in San Angeles, even though Arnold Schwarzenegger's first run for political office would not be for another ten years.
In 2000, the Icebox.com live-action Web series "The Hanged Man" positioned fictional detective Hugo Manes as being from the San Angeles Police Department. In 2001, American printmaker Edward Ruscha released a series of seven postcard-size color etchings that he entitled "Los Francisco San Angeles" to reflect how the etchings made light of the cultural distance between Northern California and Southern California. Ruscha's concept Los Francisco San Angeles was analyzed in 2004 for Arts & Activities Magazine by Tara Cady Sartorius, Curator of Education at the Montgomery Museum of Fine Arts.
San Angeles is also the fictional home town of Power Rangers: Operation Overdrive.
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Famous quotes containing the word fiction:
“Although the primitive in art may be both interesting and impressive, as portrayed in American fiction it is conspicuous for dullness alone. Drab persons living drab lives, observed by drab minds and reported in drab writing ...”
—Ellen Glasgow (1873–1945)
“... the main concern of the fiction writer is with mystery as it is incarnated in human life.”
—Flannery O’Connor (1925–1964)
“It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.”
—Flannery O’Connor (1925–1964)