Exhibits
The gardens contains a series of outdoor and indoor spaces:
- Spanish-Moorish Courtyard and Walled Gardens. These outdoor gardens, located just inside the entrance, contains a Spanish-Moorish themed garden displaying aromatic plants such as rosemary, Spanish lavender, fig and pomegranate trees; a small, round garden with a raised bed of cultivated roses called the Jardin Redondo; and the Ceremonial Rose Garden which contains a scenic trellis covered with wisteria and rambling roses.
- Mediterranean Conservatory. This large greenhouse displays a variety of plants native to coastal areas with hot dry summers and mild rainy winters, such as the Mediterranean, the California coast, southwestern Australia, South Africa and coastal Chile. rockroses, bottlebrush trees, olive trees, myrtles, oleanders and numerous mints and sages are displayed here. This conservatory is also the locale for several flower shows, including Winter Fire Colors, Bulbs in Bloom and the Orchid Show. In 2009, an exhibit on arthropods was added as a preview for a future insectarium to be built at the botanic gardens.
- Desert Conservatory. Located next to the Mediterranean Conservatory, this second greenhouse simulates a dry climate and displays a collection of plant life from deserts of the American Southwest, such as saguaro cactus and palo verde trees from the Sonoran Desert, creosote and yucca from the Chihuahuan Desert, and elephant trees from Baja.
- Curandera Garden. This is a traditional herb garden based on the practices of Curanderos, or Spanish folk doctors, who have a long history of herbal medicine in New Mexico. The garden also contains a bas relief sculpture by Diego "Sonny" Rivera depicting a Curandero.
- Camino de Colores. This garden is divided into four area, each themed to one of the four seasons, with plants chosen to represent each season's colors year-round. This garden also contains a water feature in the winter garden, and large rose planters.
- Sasebo Japanese Garden. A classically designed Japanese Garden, containing Japanese architecture and design elements such as the tile-capped garden wall and tile-roofed entry gate, an elevated bell tower, stone lanterns and pagoda sculptures, a ceremonial hand-wash basin, a waterfall, koi pond, an arched-moon bridge, and a viewing deck. The plant palette includes both traditional Japanese and American Southwest plantings.
- Heritage Farm. A re-creation of a 1930s era Albuquerque-area farm, containing a kitchen garden, crops, an orchard, vineyard and berry bushes, as well as replicas of a farmhouse, a barn, and a stables. Demonstrations take place in the farmhouse, and farm animals such as cows, goats, sheep, and horses live at the stables. This garden won the 2007 American Public Gardens Association award for excellence in programming and was invited to place an exhibit at the U.S. Botanic Garden in Washington, D.C. from May through October 9, 2007.
- PNM Butterfly Pavilion. An indoor butterfly house, open seasonally.
- "Garden" Railroad. An outdoor model railroad layout.
- Children's Fantasy Garden. A 14-foot-high (4.3 m) dragon stands at the entrance of the Fantasy Garden that gives visitors a mite's eye perspective on the garden. Giant bugs, gardening tools, and huge pretend vegetables tower over visitors to this garden. A walk-through "pumpkin" 42 feet (13 m) in diameter and two stories high is the centerpiece of this garden.
Read more about this topic: Rio Grande Botanic Garden
Famous quotes containing the word exhibits:
“Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.”
—Willard Van Orman Quine (b. 1908)
“After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.”
—Henry David Thoreau (18171862)
“Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?”
—Kate Field (18381908)