Songs Offered To Other Musicians
| Year | Date | Song | Artist | Type of release |
|---|---|---|---|---|
| 1998 | October 7 | "Private" | Ryōko Hirosue | Jeans (single) |
| 1999 | February 17 | "Private" | Ryōko Hirosue | Private (album) |
| January 27 | "Cappuccino" "Mokuren No Cream" |
Rie Tomosaka | Cappuccino (single) | |
| February 24 | "Cappuccino" "Mokuren No Cream" "Shampoo" |
Rie Tomosaka | Murasaki (album) | |
| 2000 | June 21 | "Shōjo Robot" "Ikenai Ko" "Nippon ni Umarete" |
Rie Tomosaka | Shōjo Robot (single) |
| 2008 | September 3 | "Amagasa" "Kachuu no Otoko" |
Tokio | Amagasa (single) |
| 2009 | February 25 | "Hiyori-hime" | Puffy AmiYumi | Hiyori-hime (single) |
| June 17 | "Hiyori-hime" "Shuen no Onna" |
Puffy AmiYumi | Bring It! (album) | |
| June 24 | "Tokai no Manā" "Kodomo no Jōkei" |
Rie Tomosaka | Toridori (album) | |
| 2011 | March 2 | "Oishii Kisetsu" "Ketteiteki Sanpunkan" |
Chiaki Kuriyama | Oishii Kisetsu/Ketteiteki Sanpunkan (single) |
| March 16 | "Oishii Kisetsu" "Ketteiteki Sanpunkan" |
Chiaki Kuriyama | Circus (album) | |
| March 2 | "Tsukiyo no Shōzō" "Seishun no Kagayaki" |
Chiaki Kuriyama | Tsukiyo no Shōzō (single) | |
| 2012 | August 8 | "Manatsu no Datsugokusha" | SMAP | GIFT of SMAP (album) |
Read more about this topic: Ringo Sheena
Famous quotes containing the words songs, offered and/or musicians:
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“Those who dare to interpret God’s will must never claim Him as an asset for one nation or group rather than another. War springs from the love and loyalty which should be offered to God being applied to some God substitute, one of the most dangerous being nationalism.”
—Robert Runcie (b. 1921)
“As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.”
—Marcel Proust (1871–1922)