Richard Rodriguez - Career

Career

Rodriguez received a B.A. from Stanford University, an M.A. from Columbia University, was a Ph.D. candidate in English Renaissance literature at the University of California, Berkeley, and attended the Warburg Institute in London on a Fulbright fellowship. A noted prose stylist, Rodriguez has worked as a teacher, international journalist, and educational consultant and has appeared regularly on the PBS show, NewsHour. A television documentary about Rodriguez's works earned Jim Lehrer a Peabody Award in 1997. Rodriguez’s books include Hunger of Memory: The Education of Richard Rodriguez (1982), a collection of autobiographical essays; Mexico’s Children (1990); Days of Obligation: An Argument With My Mexican Father (1992), which was nominated for the Pulitzer Prize; and Brown: The Last Discovery of America. Rodriguez's works have also been published in Harper's Magazine, Mother Jones, and Time.

Instead of pursuing a career in academia, Rodriguez suddenly decided to write freelance and take other temporary jobs. His first book, Hunger of Memory: The Education of Richard Rodriguez, was published in 1982. It was an account of his journey from being a "socially disadvantaged child" to becoming a fully assimilated American, from the Spanish-speaking world of his family to the wider, presumably freer, public world of English. But the journey was not without costs: his American identity was only achieved after a painful separation from his past, his family, and his culture. "Americans like to talk about the importance of family values," says Rodriguez. "But America isn't a country of family values; Mexico is a country of family values. This is a country of people who leave home." While the book received widespread critical acclaim and won several literary awards, it also stirred resentment because of Rodriguez's strong stands against bilingual education and affirmative action. Some Mexican Americans called him pocho—traitor—accusing him of betraying himself and his people. Others called him a "coconut"—brown on the outside, white on the inside. He calls himself "a comic victim of two cultures."