Brown is a color term, denoting a range of composite colors produced by a mixture of orange, red, rose, or yellow with black or gray. The term is from Old English brún, in origin for any dusky or dark shade of color. The first recorded use of brown as a color name in English was in 1000. The Common Germanic adjective *brûnoz, *brûnâ meant both dark colors and a glistening or shining quality, whence burnish. The current meaning developed in Middle English from the 14th century.
The adjective is applied to naturally occurring colors, referring to animal fur, human hair, human skin pigmentation (tans), partially charred or carbonized fiber as in toasted bread and other foods, peat, withered leaves, etc.
In terms of the visible spectrum, "brown" refers to high wavelength (low frequency) hues, yellow, orange, or red, in combination with low luminance or saturation. Since brown may cover a wide range of the visible spectrum, composite adjectives are used such as red brown, yellowish brown, dark brown or light brown.
As a color of low intensity, brown is a tertiary color: a mix of the three subtractive primary colors is brown if the cyan content is low. Brown exists as a color perception only in the presence of a brighter color contrast yellow, orange, red, or rose objects are still perceived as such if the general illumination level is low, despite reflecting the same amount of red or orange light as a brown object would in normal lighting conditions.
Famous quotes containing the word brown:
“I am as content to die for Gods eternal truth on the scaffold as in any other way.”
—John Brown (18001859)
“We gave em wings to fly and they rained death on us. We gave em a voice to be heard around the world and they preach hatred to poison the minds of nations. Even the medicine we gave them to ease their pain is turned into a vice to enslave half mankind for the profit of a few. Ah, Janet, dear, dont you see? Every gift that science has given them has been twisted into a thing of hate and greed.”
—Karl Brown (18971990)
“His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.”
—Vladimir Nabokov (18991977)