Characters
- Harry Angstrom - a.k.a. Rabbit, a 26-year-old man. Married to Janice Angstrom. He was a basketball star in high school and begins the novel as a kitchen gadget salesman.
- Miriam Angstrom - a.k.a. Mim, Rabbit's 19-year-old sister.
- Mr. Angstrom - Rabbit's father.
- Mrs. Angstrom - Rabbit's mother.
- Janice Angstrom - Rabbit's wife.
- Nelson Angstrom - Harry and Janice's 2-year-old son.
- Rebecca June Angstrom - Harry and Janice's infant daughter.
- Mr. Springer - Janice's father. A used car dealer.
- Mrs. Springer - Janice's mother. She is harshly critical of Harry when he leaves Janice.
- Jack Eccles - a young Episcopal priest. He tries to mend Harry and Janice's broken marriage.
- Lucy Eccles - Jack Eccles's wife. She blames the lack of love in her marriage with Jack on his job taking up too much of his time.
- Fritz Kruppenbach - the Angstroms' Lutheran minister. He tells Jack Eccles that Harry and Janice are best left to themselves.
- Ruth Leonard - Rabbit's mistress with whom he lives for three months. She is a former prostitute and lives alone in an apartment for two people. She is weight-conscious.
- Margaret Kosko - a friend of Ruth's. Probably also a prostitute. She is contemptuous of Tothero.
- Mrs. Smith - a widow whose garden Rabbit looks after while away from his wife. She is 73 years old.
- Marty Tothero - Rabbit's former basketball coach. He was popular in high school but got dismissed from his job due to a 'scandal'. He cheats on his wife but gives marital advice to Harry. After suffering two strokes, he becomes disabled.
- Ronnie Harrison - One of Rabbit's former basketball team-mates. He has slept with Margaret Kosko and Ruth Leonard.
Read more about this topic: Rabbit, Run
Famous quotes containing the word characters:
“We are like travellers using the cinders of a volcano to roast their eggs. Whilst we see that it always stands ready to clothe what we would say, we cannot avoid the question whether the characters are not significant of themselves.”
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“Animals are stylized characters in a kind of old sagastylized because even the most acute of them have little leeway as they play out their parts.”
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“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
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