Quarter Tone - Playing Quarter Tones On Musical Instruments

Playing Quarter Tones On Musical Instruments

Because many musical instruments manufactured today are designed for the 12-tone scale, not all are usable for playing quarter tones. Sometimes special playing techniques must be used.

Conventional musical instruments that cannot play quarter tones (except by using special techniques—see below) include

  • Normally fretted string instruments
  • Pianos, normally tuned
  • Organs, when conventionally tuned
  • Synthesizers (when design does not permit)
  • Accordions
  • Pitched percussion instruments, when tuning does not permit and normal techniques are used

Conventional musical instruments that can play quarter tones include

  • Synthesizers (if design permits)
  • Fretless string instruments (on fretted string instruments it is possible with bending or special tuning)
  • Quarter-tone fretted string instruments
  • Slide brass instruments (trombone)
  • Valved brass instruments (trumpet, horn, tuba)
  • Woodwind instruments, using special fingering or bending.
    • Flute
    • Recorder
    • Clarinet
    • Oboe
    • Saxophone
    • Bassoon
  • Harmonica
  • Harp
  • Pianos, if specially tuned
  • Organs, when tuned for the purpose
  • Pitched percussion instruments, when tuning permits, or using special techniques

Experimental instruments have been built to play in quarter tones, for example a quarter tone clarinet by Fritz Schüller (1883–1977) of Markneukirchen.

Other instruments can be used to play quarter tones when using audio signal processing effects such as pitch shifting.

Pairs of conventional instruments tuned a quarter tone apart can be used to play some quarter tone music. Indeed, quarter-tone pianos have been built, which consist essentially of two pianos stacked one above the other in a single case, one tuned a quarter tone higher than the other.

Read more about this topic:  Quarter Tone

Famous quotes containing the words playing, quarter, tones, musical and/or instruments:

    Give me mine angle, we’ll to th’ river; there,
    My music playing far off, I will betray
    Tawny-finned fishes; my bended hook shall pierce
    Their slimy jaws; and as I draw them up,
    I’ll think them every one an Antony,
    And say, “Ah, ha! y’ are caught.”
    William Shakespeare (1564–1616)

    American family life has never been particularly idyllic. In the nineteenth century, nearly a quarter of all children experienced the death of one of their parents.... Not until the sixties did the chief cause of separation of parents shift from death to divorce.
    Richard Louv (20th century)

    This was Venice, the flattering and suspect beauty—this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.
    Thomas Mann (1875–1955)

    Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.
    Ralph Waldo Emerson (1803–1882)

    Being the dependents of the general government, and looking to its treasury as the source of all their emoluments, the state officers, under whatever names they might pass and by whatever forms their duties might be prescribed, would in effect be the mere stipendiaries and instruments of the central power.
    Andrew Jackson (1767–1845)