Quarter Tone - Playing Quarter Tones On Musical Instruments

Playing Quarter Tones On Musical Instruments

Because many musical instruments manufactured today are designed for the 12-tone scale, not all are usable for playing quarter tones. Sometimes special playing techniques must be used.

Conventional musical instruments that cannot play quarter tones (except by using special techniques—see below) include

  • Normally fretted string instruments
  • Pianos, normally tuned
  • Organs, when conventionally tuned
  • Synthesizers (when design does not permit)
  • Accordions
  • Pitched percussion instruments, when tuning does not permit and normal techniques are used

Conventional musical instruments that can play quarter tones include

  • Synthesizers (if design permits)
  • Fretless string instruments (on fretted string instruments it is possible with bending or special tuning)
  • Quarter-tone fretted string instruments
  • Slide brass instruments (trombone)
  • Valved brass instruments (trumpet, horn, tuba)
  • Woodwind instruments, using special fingering or bending.
    • Flute
    • Recorder
    • Clarinet
    • Oboe
    • Saxophone
    • Bassoon
  • Harmonica
  • Harp
  • Pianos, if specially tuned
  • Organs, when tuned for the purpose
  • Pitched percussion instruments, when tuning permits, or using special techniques

Experimental instruments have been built to play in quarter tones, for example a quarter tone clarinet by Fritz Schüller (1883–1977) of Markneukirchen.

Other instruments can be used to play quarter tones when using audio signal processing effects such as pitch shifting.

Pairs of conventional instruments tuned a quarter tone apart can be used to play some quarter tone music. Indeed, quarter-tone pianos have been built, which consist essentially of two pianos stacked one above the other in a single case, one tuned a quarter tone higher than the other.

Read more about this topic:  Quarter Tone

Famous quotes containing the words playing, quarter, tones, musical and/or instruments:

    “A daughter of Eve ... had better be fifty leagues off—or in her warm bed—or playing with a case-knife—or any thing you please—than make a man the object of her attention, when the house and all the furniture is her own.”
    —Laurence Sterne (1713–1768)

    “I also heard the whooping of the ice in the pond, my great bed-fellow in that part of Concord, as if it were restless in its bed and would fain turn over, were troubled with flatulency and bad dreams; or I was waked by the cracking of the ground by the frost, as if some one had driven a team against my door, and in the morning would find a crack in the earth a quarter of a mile long and a third of an inch wide.”
    —Henry David Thoreau (1817–1862)

    “There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, as sand eddies in a whirlwind.”
    —Dante Alighieri (1265–1321)

    “If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.”
    —Henry David Thoreau (1817–1862)

    “Fashionable women regard themselves, and are regarded by men, as pretty toys or as mere instruments of pleasure; and the vacuity of mind, the heartlessness, the frivolity which is the necessary result of this false and debasing estimate of women, can only be fully understood by those who have mingled in the folly and wickedness of fashionable life ...”
    —Sarah M. Grimke (1792–1873)