Repetitive Variants For Special Instruments
Repetitive open-G tunings are used by Russian guitars, Dobro guitars, and banjos. They repeat three open-string notes.
The open-G tuning D-G-B-D-G-B-D is used by the Russian guitar, which has seven strings tuned mostly in major thirds.
Dobros use a full six-string tuning with a bottom G: G-B-D-G-B-D, low to high. The two lowest strings are, accordingly, tuned three semitones higher for the lowest string (from E up to G) and two semitones higher for the second-lowest string (from A up to B), relative to standard tuning.
The 5-String Banjo's standard tuning is also an Open G: g-D-G-B-D, where the lower case "g" denotes the highest-pitched string, physically located next to (above) the lowest-pitched string, the first upper case "D".
Read more about this topic: Open G Tuning
Famous quotes containing the words repetitive, variants, special and/or instruments:
“Psychobabble is ... a set of repetitive verbal formalities that kills off the very spontaneity, candor, and understanding it pretends to promote. Its an idiom that reduces psychological insight to a collection of standardized observations, that provides a frozen lexicon to deal with an infinite variety of problems.”
—Richard Dean Rosen (b. 1949)
“Nationalist pride, like other variants of pride, can be a substitute for self-respect.”
—Eric Hoffer (19021983)
“When we walk the streets at night in safety, it does not strike us that this might be otherwise. This habit of feeling safe has become second nature, and we do not reflect on just how this is due solely to the working of special institutions. Commonplace thinking often has the impression that force holds the state together, but in fact its only bond is the fundamental sense of order which everybody possesses.”
—Georg Wilhelm Friedrich Hegel (17701831)
“The universe appears to me like an immense, inexorable torture-garden.... Passions, greed, hatred, and lies; law, social institutions, justice, love, glory, heroism, and religion: these are its monstrous flowers and its hideous instruments of eternal human suffering.”
—Octave Mirbeau (18501917)