Production
The show was produced and filmed on location in the San Francisco Bay Area. The show shot on the streets of San Francisco including The Embarcadero and Piers 30 through 32. Neighboring Treasure Island was used as the headquarters for the show. Hanger 2 on Treasure Island was the location of permanent sets including Nash's apartment The show employed several hundred local workers including production crews and staff members, carpenters, electricians, set designers, grips, set dressers, props, scenic artists, location managers, costumers, drivers, cameramen, special effects, soundmen, makeup and hair stylists and production assistants. Episode production was nearly $2 million per episode. The show premiered on March 29, 1996 at 10:00pm on CBS.
The show was produced by the Don Johnson Company and Carlton Cuse Productions in association with Rysher Entertainment for the first 4 seasons. In 1999 Paramount Network Television took over Rysher's spot after acquiring that company.
The show used 3 different theme songs during its initial run. Season 1 used a primarily instrumental piece. Seasons 2–5 used a musical piece most well known by the lyrics "I got a friend in you to lead me out of the cold." Season 6 changed the song again, using another primarily instrumental piece with a bit of a techno beat to it. A fourth song sometimes replaces the first season song in syndication.
Read more about this topic: Nash Bridges
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)