The music of New York City is a diverse and important field in the world of music. It has long been a thriving home for jazz, rock and the blues. It is the birthplace of hip hop, Latin freestyle, disco, and punk rock as well as the birthplace of Salsa music, born from a fusion of Cuban, Puerto Rican and Dominican influences that came together in New York's Latino neighborhoods in the 1960s. The city's culture, a melting pot of nations from around the world, has produced vital folk music scenes such as Irish-American music and Jewish klezmer. Beginning with the rise of popular sheet music in the early 20th century, New York's Broadway musical theater and Tin Pan Alley's songcraft, New York has been a major part of the American music industry.
Music author Richie Unterberger has described the New York music scene, and the city itself, as "(i)mmense, richly diverse, flashy, polyethnic, and engaged in a never-ending race for artistic and cosmopolitan supremacy". Despite the city's historic importance in the development of American music, there are those who feel that its status has declined in recent years, due to a combination of increased corporate control over music media, an increase in the cost-of-living and the rise of local music scenes whose success is facilitated by the cheap communication provided by the Internet.
Read more about Music Of New York City: Institutions and Venues, Festivals, Holidays and Parades, Music History, Popular Music
Famous quotes containing the words music of, music, york and/or city:
“The music of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced longing toward a truer world, of misty wanderings and hidden ways.”
—W.E.B. (William Edward Burghardt)
“When we are in health, all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn.”
—Henry David Thoreau (1817–1862)
“If New York is the Big Apple, tonight Hollywood is the Big Nipple.”
—Bernardo Bertolucci (b. 1940)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)