Production
After completing The Untouchables, De Niro wanted to try something different and decided on appearing in a comedy. He pursued the lead role in Penny Marshall's film, Big. Marshall was interested but the studio was not and the role went to Tom Hanks. Martin Brest, who directed Beverly Hills Cop, had developed a script with George Gallo that blended elements of comedy and action. Paramount Pictures was originally interested in backing Midnight Run, but they wanted a big name star opposite De Niro in order to improve the film's chances at the box office. Their production executives suggested that the Mardukas character be changed to a woman and wanted Cher for the role in the hope she would provide some "sexual overtones". When Brest rejected the idea, Paramount suggested teaming De Niro up with Robin Williams, who became eager to get the role and offered to audition for Brest. However, Brest was impressed by Charles Grodin's audition with De Niro. The director felt that there was a real chemistry between the two actors. As a result, Paramount backed out and their UIP partner Universal Studios became interested in the project. Paramount president Ned Tanen claimed that the budget became too high and he decided that "it wasn't worth it".
To research for his role, De Niro worked with real-life bounty hunters and police officers. As Jack uncuffs the Duke on the train, the Duke says, "Thanks, 'cause they're starting to cut into my wrists.'" In fact, Grodin has permanent scars resulting from the handcuffs he had to wear for most of the film. In the scene where Grodin fell off a cliff, it was shot on location in the Verde River in Clarkdale, Arizona and the conclusion, taking place in rapids, was shot in New Zealand because the water was too cold in Arizona.
Universal invested $15 million in a print and television advertising campaign.
Read more about this topic: Midnight Run
Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (18691940)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (19131960)