Prohibition and The Chicago Outfit
During Prohibition, Cohen moved to Chicago and became involved in organized crime working as an enforcer for the Chicago Outfit, where he briefly met Al Capone. During this period Cohen was arrested for his role in the deaths of several gangsters in a card game that went wrong.
After a brief time in prison, Cohen was released and began running card games and other illegal gambling operations. He later became an associate of Mattie Capone, Al's younger brother. While working for Jake Guzik, Cohen was forced to flee Chicago after an argument with a rival gambler.
In Cleveland, Cohen again worked for Lou Rothkopf, an associate of Meyer Lansky and Benjamin "Bugsy" Siegel. However, there was little work available for Cohen in Cleveland, so Rothkopf arranged for him to work with Siegel in California.
Read more about this topic: Mickey Cohen
Famous quotes containing the words prohibition, chicago and/or outfit:
“Prohibition will work great injury to the cause of temperance. It is a species of intemperance within itself, for it goes beyond the bounds of reason in that it attempts to control a mans appetite by legislation, and makes a crime out of things that are not crimes. A Prohibition law strikes a blow at the very principles upon which our government was founded.”
—Abraham Lincoln (18091865)
“If you have any information or evidence regarding the O.J. Simpson case, press 2 now. If you are an expert in fields relating to the O.J. Simpson case and would like to offer your services, press 3 now. If you would like the address where you can send a letter of support to O.J. Simpson, press 1 now. If you are seeking legal representation from the law offices of Robert L. Shapiro, press 4 now.”
—Advertisement. Aired August 8, 1994 by Tom Snyder on TV station CNBC. Chicago Sun Times, p. 11 (July 24, 1994)
“Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.”
—Philippe Ariés (20th century)