Performance
The V6 MX-3 had a factory claimed top speed of 202 km/h (126 mph) (in European trim). The US-spec MX-3 GS could accelerate from 0 to 60 mph (97 km/h) in 8.4 seconds, and could travel a quarter mile in 16.4 seconds. With a turning rate of 0.89 g (8.7 m/s²), its handling capabilities were among the best in its class.
The V6 engine was impressive for the time, belonging to the Mazda K-series, which were used in a range of Mazda vehicles. These engines were designed to be smooth and hold a high torque across the rpm range. These engines used a variable length intake manifold (VLIM), in order to provide optimal torque using intake resonance. Mazda called their system on the MX-3 the "Variable Resonance Induction System" (VRIS). This engine had a 7,000 rpm redline, and a 7,800 rpm fuel cutoff. It has been rumored that Porsche designers assisted in the creation of the K series engine.
For the rear suspension of the MX-3, Mazda used its proprietary Twin-Trapezoidal Link (TTL) technology. TTL is designed to provide a smooth ride while delivering responsive handling and minimizing body lean. It achieves this by passively allowing the rear wheels to turn slightly to more closely approach their optimal angle during steering maneuvers. In this way, TTL delivers some of the benefits associated with active four-wheel steering systems while being lighter and mechanically less complicated than such systems. TTL has been used on a range of other Mazda vehicles before and since the MX-3.
Read more about this topic: Mazda MX-3
Famous quotes containing the word performance:
“Nobody can misunderstand a boy like his own mother.... Mothers at present can bring children into the world, but this performance is apt to mark the end of their capacities. They can’t even attend to the elementary animal requirements of their offspring. It is quite surprising how many children survive in spite of their mothers.”
—Norman Douglas (1868–1952)
“Tennis is more than just a sport. It’s an art, like the ballet. Or like a performance in the theater. When I step on the court I feel like Anna Pavlova. Or like Adelina Patti. Or even like Sarah Bernhardt. I see the footlights in front of me. I hear the whisperings of the audience. I feel an icy shudder. Win or die! Now or never! It’s the crisis of my life.”
—Bill Tilden (1893–1953)
“Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers,
From their own music when they stray.”
—Thomas Campion (1567–1620)