Johannes Kepler - Works

Works

  • Mysterium cosmographicum (The Sacred Mystery of the Cosmos) (1596)
  • De Fundamentis Astrologiae Certioribus On Firmer Fundaments of Astrology (1601)
  • Astronomiae Pars Optica (The Optical Part of Astronomy) (1604)
  • De Stella nova in pede Serpentarii (On the New Star in Ophiuchus's Foot) (1604)
  • Astronomia nova (New Astronomy) (1609)
  • Tertius Interveniens (Third-party Interventions) (1610)
  • Dissertatio cum Nuncio Sidereo (Conversation with the Starry Messenger) (1610)
  • Dioptrice (1611)
  • De nive sexangula (On the Six-Cornered Snowflake) (1611)
  • De vero Anno, quo aeternus Dei Filius humanam naturam in Utero benedictae Virginis Mariae assumpsit (1613)
  • Eclogae Chronicae (1615, published with Dissertatio cum Nuncio Sidereo)
  • Nova stereometria doliorum vinariorum (New Stereometry of Wine Barrels) (1615)
  • Epitome astronomiae Copernicanae (Epitome of Copernican Astronomy) (published in three parts from 1618–1621)
  • Harmonice Mundi (Harmony of the Worlds) (1619)
  • Mysterium cosmographicum (The Sacred Mystery of the Cosmos) 2nd Edition (1621)
  • Tabulae Rudolphinae (Rudolphine Tables) (1627)
  • Somnium (The Dream) (1634)

Read more about this topic:  Johannes Kepler

Famous quotes containing the word works:

    “Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
    —Jean Genet (1910–1986)

    “One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
    —Benjamin Haydon (1786–1846)

    “I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
    —James Thomson (1700–1748)