Fictional Character Biography
| This section describes a work or element of fiction in a primarily in-universe style. Please help rewrite it to explain the fiction more clearly and provide non-fictional perspective. |
Jennifer Sparks was born in England on January 1, 1900 (the date is a running theme in Ellis' Wildstorm titles, see above). Her family possessed quite a fortune, and she was sent to an all-girls school in Vienna. Her family had died on the Titanic in 1912, and her father's arch-nemesis took over their fortune. Left penniless, young Jenny was invited by her godfather, Albert Einstein, to Zurich, where he offered to finish her education. Before leaving she recommended that a young painter, whose art was quite abysmal, leave it behind and take a career in politics as he had a certain charisma and talent for speeches.
Between 1913 and 1919 her powers started to manifest. Jenny Sparks had absolute control of electricity, including travel through power lines, shooting bolts of lightning and shaping electricity. With age her control and power increased. By 1919 Jenny had also stopped aging.
Her adventures from 1919 to the early 1930s were marked by the mindset of the era - Scientific Romance. In this period the Wildstorm universe had the first contact with Sliding Albion, an alternate Earth where humanity encountered aliens in the Renaissance, and where the blueskinned aliens and humans intermixed through the ages. In 1919 she married Prince Lorenzo of Albion to help him to take power against his father's tyrannical reign. Unfortunately Lorenzo was using the British of Jenny's reality to help him take over from his father who he considered too soft. She continued with traveling the multiple realities, visiting alien worlds, entering fast relationships with supermen and people of the era. During this time she earned the rank of Colonel in British Army Intelligence. A reporter named Clarence Cornwall became part of her life.
In the early 1930s she went to the United States and spent most of that time as an adventurer and pulp hero. During this period she was the girlfriend of a certain Dr. Jones. In 1939 she met Elijah Snow and after a one-night-stand they both agreed to forget that it ever happened. It was also during this decade that Jenny met The High, a Superman-like superhero, whom she would later meet during her stint at Stormwatch.
During World War II she was working as an Allied operative against the Nazi superbeings and preventing the Nazis from obtaining valuable artifacts and ancient weapons. In 1943 she was rescuing a Tibetan egg from the Nazis. The egg was prophesied to open and bring forth a being that will usher a new age. Inside it was a small, curled up woman. She was captured and the only thing that prevented her from being sent to a camp where she would be dissected for creating German supermen was her childhood friend Adolf Hitler, who remembered her and upon accidentally noticing her being dragged away ordered her to be released and sent to England with the egg.
Jenny returned to the United States after the war. The world no longer believed in heroes. She did not either, and her darkening turned her into a noiresque private eye who dealt her own brutal justice. During this time, she electrocuted Clarence for trying to kill an orphanage because it was full of black kids. With the end of the 1940s she decided to head home.
Read more about this topic: Jenny Sparks
Famous quotes containing the words fictional, character and/or biography:
“It is change, continuing change, inevitable change, that is the dominant factor in society today. No sensible decision can be made any longer without taking into account not only the world as it is, but the world as it will be.... This, in turn, means that our statesmen, our businessmen, our everyman must take on a science fictional way of thinking.”
—Isaac Asimov (1920–1992)
“The truth and regularity of a character is not, in justice, to be looked upon as broken, from any one single act or omission which may seem a contradiction to it:Mthe best of men appear sometimes to be strange compounds of contradictory qualities.”
—Laurence Sterne (1713–1768)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)