Response
The musical garnered mixed reviews and lost money despite a run of 300 performances. As theatre historian Ken Mandelbaum noted, How to Succeed in Business Without Really Trying had opened five months earlier with a similar, but more palatable, story. J. Pierrepont Finch is a much more "cuddly betrayer... and audiences were less willing to confront Wholesale's unflinching portrayal of Harry's little world of "men and ulcers on parade... that shouldn't detract from the fact that it was a daring and distinctive musical.".
Howard Taubman of The New York Times wrote that the show generated a "lot of momentum" and added, "It is spirited in its appreciation of the garment-trade milieu, and both winning and tearfully sentimental in its treatment of Jewish folks and some of their Bronx folkways." He thought the score was pleasant, using "folklife motifs to distill the flavor of Jewish life." Saving the most lavish praise for last, he wrote that Streisand was the "evening's find... a girl with an oafish expression, a loud irascible voice and an arpeggiated laugh. Miss Streisand is a natural comedienne."
The Time critic observed, "Wholesale relies heavily on Jewish folk and speech ways. But as comedy, Jewish dialect is in awkward transition, no longer funny and not yet English. Harold Rome's score is drab and his lyrics resemble either singing dialogue or nursery rhymes... Harold Lang and Sheree North make a scorching sex rite out of 'What's In It for Me?'... Barbra Streisand trips the show into stray laughs. For the rest, Wholesale is as quiet as Seventh Avenue on Yom Kippur."
Read more about this topic: I Can Get It For You Wholesale
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