Generative Grammar - Music

Music

Generative grammar has been used to a limited extent in music theory and analysis since the 1980s. The most well-known approaches were developed by Mark Steedman as well as Fred Lerdahl and Ray Jackendoff, who formalised and extended ideas from Schenkerian analysis. More recently, such early generative approaches to music were further developed and extended by several scholars.

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Famous quotes containing the word music:

    “While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
    —Paul Johnson (b. 1928)

    “During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
    —Administration in the State of Texa, U.S. public relief program (1935-1943)

    “Music, ho, music such as charmeth sleep!”
    —William Shakespeare (1564–1616)