Chants Based On Hymns and Classical Music
Several football chants are based on hymns, with "Cwm Rhondda" (also known as "Guide me, O thou great redeemer") being one of the most popular tunes to copy. Amongst others, it has spawned the song "You're not singing anymore!". Variants of this popular chant include "Does she take it up the arse?", "Does your boyfriend know you're here?" (often sung at Brighton and Hove Albion), "We can see you sneaking out!" and "We support our local team!".
Various teams have used the chant "Glory Glory" (followed by "Tottenham Hotspur", "Leeds United", "Man United", etc.), to the tune of "The Battle Hymn of the Republic". Hibernian were the first team to popularise the song with the release of a record by Hector Nicol in the 1950s ("Glory Glory to the Hibees").
There have been various adaptations of "When The Saints Go Marching In" and the tune of Handel's Hallelujah Chorus. Many football crowd chants/songs are to the tune of "La donna รจ mobile" from Giuseppe Verdi's opera Rigoletto.
Read more about this topic: Football Chant
Famous quotes containing the words based, hymns, classical and/or music:
“Any reductionist program has to be based on an analysis of what is to be reduced. If the analysis leaves something out, the problem will be falsely posed.”
—Thomas Nagel (b. 1938)
“Whether, if you yield not to your father’s choice,
You can endure the livery of a nun,
For aye to be in shady cloister mewed,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice blessed they that master so their blood
To undergo such maiden pilgrimage.”
—William Shakespeare (1564–1616)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)