Chants Based On Hymns and Classical Music
Several football chants are based on hymns, with "Cwm Rhondda" (also known as "Guide me, O thou great redeemer") being one of the most popular tunes to copy. Amongst others, it has spawned the song "You're not singing anymore!". Variants of this popular chant include "Does she take it up the arse?", "Does your boyfriend know you're here?" (often sung at Brighton and Hove Albion), "We can see you sneaking out!" and "We support our local team!".
Various teams have used the chant "Glory Glory" (followed by "Tottenham Hotspur", "Leeds United", "Man United", etc.), to the tune of "The Battle Hymn of the Republic". Hibernian were the first team to popularise the song with the release of a record by Hector Nicol in the 1950s ("Glory Glory to the Hibees").
There have been various adaptations of "When The Saints Go Marching In" and the tune of Handel's Hallelujah Chorus. Many football crowd chants/songs are to the tune of "La donna รจ mobile" from Giuseppe Verdi's opera Rigoletto.
Read more about this topic: Football Chant
Famous quotes containing the words based, hymns, classical and/or music:
“Justice in the hands of the powerful is merely a governing system like any other. Why call it justice? Let us rather call it injustice, but of a sly effective order, based entirely on cruel knowledge of the resistance of the weak, their capacity for pain, humiliation and misery. Injustice sustained at the exact degree of necessary tension to turn the cogs of the huge machine-for- the-making-of-rich-men, without bursting the boiler.”
—Georges Bernanos (1888–1948)
“Whether, if you yield not to your father’s choice,
You can endure the livery of a nun,
For aye to be in shady cloister mewed,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice blessed they that master so their blood
To undergo such maiden pilgrimage.”
—William Shakespeare (1564–1616)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“He turned out to belong to the type of publisher who dreams of becoming a male muse to his author, and our brief conjunction ended abruptly upon his suggesting I replace chess by music and make Luzhin a demented violinist.”
—Vladimir Nabokov (1899–1977)