Fancy Dance - Description

Description

Men's fancy dance is flashy and colorful, but also highly energetic. It requires strength and stamina and is usually performed by younger men and boys. The drum can play a medium war beat, a ruffle, crow hop, and a fast beat. It is always expected that a fancy dancer should do a pose at each end of the beat. Some might do splits or stop in mid-air. Male fancy dancers typically wear brightly colored regalia. Twin feather bustles are one of the hallmarks of modern fancy dance regalia, along with a beaded bodice, leggings or breech cloth and side tabs (most popular), bells just below the knees, Icelandic sheep hair or also known as "Goats", moccasins, a roach with two feathers (Most wear a roach rocker which rocks the feathers with the dancer's movements, beaded cuffs, beaded headband, and other feathered or beaded accouterments. The regalia often has a fringe of many colors. The old style regalia is making a comeback.

The women's fancy shawl dance represents the opening of a cocoon when the butterfly emerges. The shawl is usually the most extravagant piece. The fringed shawls are colorful and flashy, often featuring embroidery or ribbon work. The fringe on the shawl have a movement that coincides with the dancer. The dancers usually wear beaded or appliqued designs, and beaded hairpieces. Chokers, earrings, bracelets, and eagle plumes are usually worn as well. Elaborate moccasins and leggings complete the regalia.

Read more about this topic:  Fancy Dance

Famous quotes containing the word description:

    The type of fig leaf which each culture employs to cover its social taboos offers a twofold description of its morality. It reveals that certain unacknowledged behavior exists and it suggests the form that such behavior takes.
    Freda Adler (b. 1934)

    Do not require a description of the countries towards which you sail. The description does not describe them to you, and to- morrow you arrive there, and know them by inhabiting them.
    Ralph Waldo Emerson (1803–1882)

    Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.
    Willard Van Orman Quine (b. 1908)