Musical Influences and Style
Allmusic cites Eazy-E's influences as Ice-T, Redd Foxx, King Tee, Bootsy Collins, Run-D.M.C., Richard Pryor, The Egyptian Lover, Schoolly D, Too $hort, Prince, The Sugarhill Gang, and George Clinton. In the documentary The Life and Timez of Eric Wright, Eazy-E mentions collaborating with many of his influences.
When reviewing Str8 off tha Streetz of Muthaphukkin Compton, Stephen Thomas Erlewine noted "...Eazy-E sounds revitalized, but the music simply isn't imaginative. Instead of pushing forward and creating a distinctive style, it treads over familiar gangsta territory, complete with bottomless bass, whining synthesizers, and meaningless boasts." When reviewing Eazy-Duz-It, Jason Birchmeier of Allmusic said, "In terms of production, Dr. Dre and Yella meld together P-Funk, Def Jam-style hip-hop, and the leftover electro sounds of mid-'80s Los Angeles, creating a dense, funky, and thoroughly unique style of their own." Birchmeier described Eazy's style as "dense, unique, and funky," and said that it sounded "absolutely revolutionary in 1988."
Several members of N.W.A wrote lyrics for Eazy-Duz-It: Ice Cube, The D.O.C., and MC Ren. The EP 5150: Home 4 tha Sick features a song written by Naughty By Nature. The track "Merry Muthaphuckkin' Xmas" features Menajahtwa, Buckwheat, and Atban Klann as guest vocalists, and "Neighborhood Sniper" features Kokane as a guest vocalist. It's On (Dr. Dre) 187um Killa features several guest vocalists, including Gangsta Dresta, B.G. Knocc Out. Kokane, Cold 187um, Rhythum D, and Dirty Red. Str8 off tha Streetz of Muthaphukkin Compton featured several guest vocalists, including B.G. Knocc Out, Gangsta Dresta, Sylk-E. Fyne, Dirty Red, Menajahtwa, Roger Troutman, and ex-N.W.A members MC Ren and DJ Yella.
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Famous quotes containing the words musical, influences and/or style:
“That vast moth-eaten musical brocade
Created to pretend we never die ...”
—Philip Larkin (1922–1986)
“However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.”
—Mary Kay Blakely (20th century)
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)