The Prison in Popular Culture
The prison is known for three high-profile professional boxers who were at one time incarcerated there. Former middleweight contender Rubin Carter, freed in 1985 after being sentenced to two consecutive life terms, was featured in the 1975 Bob Dylan song "Hurricane" and the 1999 film The Hurricane. Dwight Muhammad Qawi became a two-time world champion after leaving Rahway. A contemporary of Qawi, James Scott, was a title contender of the same era who fought many times inside the prison itself, including a fight against Qawi in 1981.
The prison served as the filming location for the 1978 Academy Award winning documentary Scared Straight! The prison is also the birthplace of the Lifers' Group, in which prison inmates participate in a government-sponsored hip hop music program, recording such songs as "The Real Deal" and "Belly of the Beast" to discourage children from becoming criminals. It released an album and EP on the Walt Disney Company's Hollywood Records during the 1990s.
The prison's distinctive architecture, with its large dome and imposing metal gates, has appeared in many films including Lock Up, Crazy Joe, Rounders, Malcolm X, He Got Game, The Hurricane, and Ocean's Eleven.
Read more about this topic: East Jersey State Prison
Famous quotes containing the words popular culture, prison, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“They are sworn enemies of lyric poetry.
In prison they accompany the jailer,
Enter cells to hear confessions.
Their short-end comes down
When you least expect it.”
—Charles Simic (b. 1938)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“Our culture is ill-equipped to assert the bourgeois values which would be the salvation of the under-class, because we have lost those values ourselves.”
—Norman Podhoretz (b. 1930)