Basic Technique
Single-step Swing
East Coast Swing has a 6 count basic step. This is in contrast to the meter of most swing music, which has a 4 count basic rhythm. In practice, however, the 6-count moves of the east coast swing are often combined with 8-count moves from the Lindy hop, Charleston, and Balboa.
Depending on the region and instructor, the basic step of single-step East Coast Swing is either "rock step, step, step" or "step, step, rock step". In both cases, the rock step always starts on the downbeat.
For "rock step, step, step" the beats, or counts, are the following:
Steps for the "lead" (traditionally, the man's part)
Rock Beat 1 - STEP back with your LEFT foot Step Beat 2 - STEP forward with your RIGHT foot (to where you first started) Step Beat 3 - STEP with your LEFT foot Beat 4 - Begin to shift your weight back to your right foot Step Beat 5 - STEP with your RIGHT foot Beat 6 - Begin to shift your weight to the left and backSteps for the "follow" (traditionally, the woman's part which mirrors the lead's part)
Rock Beat 1 - STEP back with your RIGHT foot Step Beat 2 - STEP forward with your LEFT foot (to where you first started) Step Beat 3 - STEP with your RIGHT foot Beat 4 - Begin to shift your weight back to your left foot Step Beat 5 - STEP with your LEFT foot Beat 6 - Begin to shift your weight to the right and backFor "step, step, rock step", the rock step occurs on beats 5 and 6, but the overall progression remains the same.
The normal steps can be substituted with a triple step or double step "step-tap" or "kick-step" instead of a single step. This is commonly used during songs when a slower tempo makes the single step difficult (an example progression would be "rock step, triple step, triple step").
Read more about this topic: East Coast Swing
Famous quotes containing the words basic and/or technique:
“For a novelist, a given historic situation is an anthropologic laboratory in which he explores his basic question: What is human existence?”
—Milan Kundera (b. 1929)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)