Deep Focus and Deep Space
When deep focus is used, filmmakers often combine it with deep space (also called deep staging). Deep space is a part of mise-en-scene, placing significant actors and props in different planes of the picture. Directors and cinematographers often use deep space without using deep focus, being either an artistic choice or because they don't have resources to create a deep focus look, or both.
Directors may use deep focus in only some scenes or even just some shots. Other auteurs choose to use it consistently throughout the movie, either as a stylistic choice or because they believe it represents reality better. Directors like Orson Welles, Jean Renoir and Kenji Mizoguchi all used deep focus as part of their signature style.
Read more about this topic: Deep Focus
Famous quotes containing the words deep, focus and/or space:
“The difference between a photograph and even the most realistic painting—say, one of Courbet’s landscapes—is that in the latter there has been selection, emphasis and some discreet distortion. The painter’s deep instinctive feeling for mass and force has rearranged everything.”
—Gerald Branan (1894–1987)
“Why is it so difficult—so degradingly difficult—to bring the notion of Time into mental focus and keep it there for inspection? What an effort, what fumbling, what irritating fatigue!”
—Vladimir Nabokov (1899–1977)
“The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.”
—Sir Herbert Read (1893–1968)