Music Video
The video, directed by Wayne Isham and choreographed by Darrin Dewitt Henson, features *NSYNC as puppets controlled by an evil puppetress (played by Kim Smith). She cuts the strings first on Joey and Chris, and they run over the top of a speeding train, then hide among the passengers to escape her. She cuts Justin loose next, and he outruns her trained dogs through a warehouse, eventually escaping into the pouring rain. Then Lance and JC are cut loose and fall into a red Dodge Viper RT/10. They speed away from her, while being chased by her silver BMW Z3. All this is interspersed with shots of the band dancing in a blue box with a fixed camera, making them appear as though they are on different planes of gravity. The video edit of the song also adds a few cuts where Timberlake lands in the warehouse, and when Lance and JC start the car chase, and adds an additional final chorus.
The video premiered on MTV's "Making the Video" and features the same actress as appears in "It's Gonna Be Me". It originally held the record for longest streak of being #1 on TRL with 25 straight days at the top spot, until another one of their videos (I Drive Myself Crazy) made it to 26 straight days at #1. The video was #60 on MuchMusic's 100 Best Videos. The video debut on TRL January 24, 2000.
Read more about this topic: Bye Bye Bye
Famous quotes containing the words music and/or video:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)