The Buena Vista Social Club was a members club in Havana, Cuba that held dances and musical activities, becoming a popular location for musicians to meet and play during the 1940s. In the 1990s, nearly 50 years after the club was closed, it inspired a recording made by Cuban musician Juan de Marcos González and American guitarist Ry Cooder with traditional Cuban musicians, some of whom were veterans who had performed at the club during the height of its popularity.
The recording, named Buena Vista Social Club after the Havana institution, became an international success, and the ensemble was encouraged to perform with a full line-up in Amsterdam in 1998. German director Wim Wenders captured the performance on film, followed by a second concert in Carnegie Hall, New York City for a documentary that included interviews with the musicians conducted in Havana. Wenders' film, also called Buena Vista Social Club, was released to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.
The success of both the album and film sparked a revival of international interest in traditional Cuban music and Latin American music in general. Some of the Cuban performers later released well-received solo albums and recorded collaborations with international stars from different musical genres. The "Buena Vista Social Club" name became an umbrella term to describe these performances and releases, and has been likened to a brand label that encapsulates Cuba's "musical golden age" between the 1930s and 1950s. The new success was fleeting for the most recognizable artists in the ensemble: Compay Segundo, Rubén González, and Ibrahim Ferrer, who died at the ages of ninety-five, eighty-four, and seventy-eight respectively; Segundo and González in 2003, then Ferrer in 2005.
Several surviving members of the Buena Vista Social Club, such as trumpeter Manuel "Guajiro" Mirabal, laúd player Barbarito Torres and trombonist and conductor Jesus "Aguaje" Ramos currently tour worldwide, to popular acclaim, with new members such as the singer Carlos Calunga, virtuoso pianist Rolando Luna and occasionally the solo singer Omara Portuondo, as part of a 13 member band called Orquesta Buena Vista Social Club.
Read more about Buena Vista Social Club: Social Club, Closure of Musical Venues and Changing Traditions, Album, Musicians, Film, Performances, Impact and Analysis, Discography
Famous quotes containing the words buena vista, buena, vista, social and/or club:
“I am less affected by their heroism who stood up for half an hour in the front line at Buena Vista, than by the steady and cheerful valor of the men who inhabit the snow-plow for their winter quarters; who have not merely the three-o’-clock-in-the-morning courage, which Bonaparte thought was the rarest, but whose courage does not go to rest so early, who go to sleep only when the storm sleeps or the sinews of their iron steed are frozen.”
—Henry David Thoreau (1817–1862)
“I am less affected by their heroism who stood up for half an hour in the front line at Buena Vista, than by the steady and cheerful valor of the men who inhabit the snow-plow for their winter quarters; who have not merely the three-o’-clock-in-the-morning courage, which Bonaparte thought was the rarest, but whose courage does not go to rest so early, who go to sleep only when the storm sleeps or the sinews of their iron steed are frozen.”
—Henry David Thoreau (1817–1862)
“Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she
sings.”
—D.H. (David Herbert)
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—Zick Rubin (20th century)
“I spoke at a woman’s club in Philadelphia yesterday and a young lady said to me afterwards, “Well, that sounds very nice, but don’t you think it is better to be the power behind the throne?” I answered that I had not had much experience with thrones, but a woman who has been on a throne, and who is now behind it, seems to prefer to be on the throne.”
—Anna Howard Shaw (1847–1919)