Salad Days
Salad Days is the name of the studio owned and operated by Brian. Its name is taken from the Minor Threat song of the same name. The studio has moved throughout New England multiple times, originally starting in Boston during the mid-1990s before moving to a basement on Longfellow Street in northwest Washington, D.C. It later relocated to a more professional setting in Beltsville, MD, and most recently Brian moved the studio to a state-of-the-art warehouse space in the Fells Point neighborhood of Baltimore.
| Year Prevail | Artist | Album Title | Label | Notes | |
|---|---|---|---|---|---|
| 1995 | Texas is the Reason | Texas is the Reason | Revelation Records | EP | |
| 1995 | Frodus | F-letter | Double Duece Records | ||
| 1997 | The Ducky Boys | No Gettin Out | GMM Records| | ||
| 1997 | 30 Seconds Over Tokyo | All Ages Pie Eating Contest | Beer City Records | EP | |
| 1997 | Cast Iron Hike | Watch It Burn | Victory Records | ||
| 1998 | In My Eyes | The Difference Between | Revelation Records | ||
| 1998 | Cave In | Beyond Hypothermia | Hydra Head | ||
| 1998 | Converge | Petitioning the Empty Sky | Equal Vision Records | ||
| 1999 | Snapcase | Snapcase vs. Boysetsfire | Equal Vision Records | Boysetsfire tracks produced by Morgan Walker | |
| 1999 | Piebald | When Life Hands You Lemons | Hydra Head | ||
| 1999 | Frodus | And We Washed Our Weapons In The Sea | Fueled By Ramen | ||
| 2000 | The Explosion | Flash Flash Flash | Jade Tree | ||
| 2000 | Cave In | Jupiter | Hydra Head | ||
| 2000 | Darkest Hour | The Mark of the Judas | MIA Records | ||
| 2000 | The Movielife | This Time Next Year | Revelation Records | ||
| 2001 | Fairweather | If They Move... Kill Them | Equal Vision | ||
| 2001 | Strike Anywhere | Change is a Sound | Jade Tree | ||
| 2001 | Jersey | Definition | Fueled By Ramen | ||
| 2001 | Hot Water Music | A Flight and a Crash | Epitaph Records | ||
| 2001 | The Movielife | Has a Gambling Problem | Drive-Thru Records | EP | |
| 2002 | The Minor Times | Chris Chambers Never Misses | Hex Records | EP | |
| 2002 | Thrice | The Illusion of Safety | Sub City | ||
| 2002 | Snapcase | End Transmission | Victory Records | ||
| 2002 | Hot Water Music | Caution | No Idea | ||
| 2002 | Recover | Ceci n'est pas recover | Fiddler Records | EP | |
| 2002 | Hot Rod Circuit | Sorry About Tomorrow | Vagrant Records | ||
| 2003 | Snapcase | Bright Flashes | Victory Records | ||
| 2003 | Strike Anywhere | Exit English | Jade Tree | Co-produced by Strike Anywhere | |
| 2003 | The Movielife | Forty Hour Train Back to Penn | Drive-Thru Records, MCA | ||
| 2003 | Thrice | The Artist in the Ambulance | Island Records | ||
| 2004 | Hot Water Music | The New What Next | Epitaph Records | ||
| 2004 | Moments In Grace | Moonlight Survived | Atlantic Records/Salad Days Records | ||
| 2005 | Thrice | If We Could Only See Us Now | Island Records | EP of b-sides and live performances, includes DVD | |
| 2005 | June | If You Speak Any Faster | Victory Records | ||
| 2005 | Biology | Making Moves | Vagrant | ||
| 2005 | Scary Kids Scaring Kids | The City Sleeps In Flames | Immortal Records | ||
| 2005 | Circa Survive | Juturna | Equal Vision Records | ||
| 2005 | The Loved Ones | The Loved Ones | Jade Tree | EP | |
| 2006 | Darkest Hour | So Sedated, So Secure (re-issue) | Victory Records | ||
| 2006 | Strike Anywhere | Dead FM | Fat Wreck Chords | ||
| 2006 | The Draft | In a Million Pieces | Epitaph Records | ||
| 2006 | The Loved Ones | Keep Your Heart | Fat Wreck Chords | ||
| 2006 | YouInSeries | Outside We Are Fine | Equal Vision Records | ||
| 2006 | Moneen | The Red Tree | Vagrant Records | ||
| 2006 | Roses Are Red | What Became Of Me | Trustkill Records | ||
| 2006 | Senses Fail | Still Searching | Vagrant Records | ||
| 2007 | The Graduate | Anhedonia | Icon Records | ||
| 2007 | From Autumn to Ashes | Holding A Wolf By The Ears | Vagrant Records | ||
| 2007 | Circa Survive | On Letting Go | Equal Vision Records | ||
| 2007 | Hidden In Plain View | Resolution | Drive-Thru Records | ||
| 2007 | The Bled | Silent Treatment | Vagrant Records | ||
| 2007 | Thee Armada | EP Singles | Foundation Recordings | EP | |
| 2008 | Destroy the Runner | I, Lucifer | Solid State Records | ||
| 2008 | Everlea | Everlea | Glassnote Records | ||
| 2008 | Sky Eats Airplane | Sky Eats Airplane | Equal Vision Records | ||
| 2008 | Senses Fail | Life is Not a Waiting Room | Vagrant Records | ||
| 2008 | Irrelevant | New Guilt | Resist Records | ||
| 2008 | Insite es:Insite | Esperando A Que Amanezca | Movic Records | ||
| 2009 | Flood of Red | Leaving Everything Behind | Dark City Records | ||
| 2009 | The Loved Ones | Distractions | Fat Wreck Chords | EP | |
| 2009 | Darkest Hour | The Eternal Return | Victory Records | ||
| 2009 | The Sleeping | What It Takes | Victory Records | ||
| 2009 | Port Amoral | Villains | Roadrunner Records | ||
| 2009 | This Time Next Year | Road Maps & Heart Attacks | Equal Vision Records | ||
| 2009 | Harvard | The Inevitable and I | Enjoy The Ride Records | ||
| 2009 | Emarosa | Emarosa | Rise Records | ||
| 2009 | Life On Repeat | As I Grew | Equal Vision Records | ||
| 2010 | We Are The Ocean | Cutting Our Teeth | Hassle Records | ||
| 2010 | House Vs. Hurricane | Perspectives | Shock Records | ||
| 2010 | The Graduate | Only Every Time | Razor and Tie | ||
| 2010 | In Fear and Faith | Imperial | Rise Records | ||
| 2010 | Senses Fail | The Fire | Vagrant Records | ||
| 2011 | Dave Hause | Resolutions | Paper + Plastick | ||
| 2011 | Set Your Goals | Burning at Both Ends | Epitaph Records | ||
| 2011 | Balance and Composure | Separation | No Sleep Records | ||
| 2011 | Fireworks | Gospel | Triple Crown Records | ||
| 2011 | Insite es:Insite | Ahora Soy Yo Contra El Mundo | Movic Records | ||
| 2011 | Polar Bear Club | Clash Battle Guilt Pride | Bridge 9 Records | ||
| 2012 | I Am Empire | TBA | Tooth and Nail Records | ||
| 2012 | División Minúscula | DIVISION | Universal Records |
Read more about this topic: Brian McTernan
Famous quotes related to salad days:
“My salad days,
When I was green in judgment, cold in blood,
To say as I said then!”
—William Shakespeare (1564–1616)