History
The company was founded in 1776 by Prince Pyotr Vasilyevich Urusov and Michael Maddox. Initially, it held performances in a private home, but in 1780, it acquired the Petrovka Theatre and began producing plays and operas.
The current building was built on Theatre Square in 1824 to replace the Petrovka Theatre, which had been destroyed by a fire in 1805. It was designed by architect Andrei Mikhailov, who had built the nearby Maly Theatre in 1824.
At that time, all Russian theatres were imperial property. Moscow and St Petersburg each had only two theatres, one intended for opera and ballet (these were known as the Bolshoi Theatres), and one for plays (tragedies and comedies). As opera and ballet were considered nobler than drama, the opera houses were named "Grand Theatres" ("Bolshoi" is Russian for "large" or "grand") and the drama theatres were called the "Smaller Theatre" ("Maly" is Russian for "small", "lesser", or "little").
The Bolshoi Theatre's original name was the Imperial Bolshoi Theatre of Moscow, while the St. Petersburg Bolshoi Theatre (demolished in 1886), was called the Imperial Bolshoi Kamenny Theatre.
The Moscow theatre was inaugurated on 18 January 1825 with a performance of Fernando Sor's ballet, Cendrillon. Initially, it presented only Russian works, but foreign composers entered the repertoire around 1840. A fire in 1853 caused extensive damage; reconstruction was carried out by Alberto Cavos, son of Catterino Cavos, an opera composer. The theater reopened in 1856. During World War II, the theatre was damaged by a bomb, but it was immediately repaired.
The Bolshoi has been the site of many historic premieres including Tchaikovsky's The Voyevoda and Mazeppa, and Rachmaninoff's Aleko and Francesca da Rimini. Feodor Chaliapin, Leonid Sobinov, Antonina Nezhdanova, Ksenia Derzhinskaia and other outstanding opera singers have performed at the Bolshoi.
Read more about this topic: Bolshoi Theatre
Famous quotes containing the word history:
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (18741936)
“Philosophy of science without history of science is empty; history of science without philosophy of science is blind.”
—Imre Lakatos (19221974)
“the future is simply nothing at all. Nothing has happened to the present by becoming past except that fresh slices of existence have been added to the total history of the world. The past is thus as real as the present.”
—Charlie Dunbar Broad (18871971)