Style
During the 1940s the most common offenses were motion offenses that were supposed to open up players close to the goal. This was because most players were awful shooters. The most common defenses were zones, that clogged passing lanes and packed the paint. For zone defense to be successful, all the defenders have to be close together and close to the goal.
Bob spread the defenders like nobody ever did before or has since. He was an accurate shooter for his day but not legendarily accurate. His free throw percentage was below 80% most of his career and he used a two-handed set shot from the chest that was easy to block. However, he could score from anywhere within the half court. Al Cervi, a great defensive player who often had to guard him, said of McDermott, "Oh, he could shoot! If he shot ten times from thirty feet, I'd guarantee he'd make eight in game conditions."
Through sheer athleticism, and power he could shoot from almost anywhere on the court. At a time when most teams played a deliberate slow-up style and scoring less than 30 wasn't just common, it was expected, Bob McDermott frequently scored more than 20 points, and scored as many as 36.
Read more about this topic: Bobby McDermott
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“We think it is the richest prose style we know of.”
—Henry David Thoreau (1817–1862)